I recently did a
write up of the album “Friends,” and called it the best album, start to finish, that the Beach Boys released
post “Pet Sounds.” I thought I
would follow up with my second Beach Boy post and write about the best album,
start to finish, pre “Pet Sounds.” “Today!”
is a beautiful album with a rock and roll themed Side One and a mellow/introspective
Side Two.
I got this album on CD back in
the winter of 2001. I have very strong
memories of driving around in my silver Volvo station wagon listening to it
just as it was getting cool out. A strange
thing I discovered about this time was that my dad actually really liked The
Beach Boys. He’d gotten me into Led
Zeppelin, Frank Zappa, and even tried to get me to listen to “Sweetheart of the
Rodeo." Unlike most
teenagers in 1997, I had actually heard of the band “The Flying Burrito Bros.” However, it would take me another decade to realize how good they were. So why not The
Beach Boys?
I hate to say it. I really do, but The Beach Boys are not
cool for some reason. I am sure my dad was not feeling
self conscious or anything, but it just never came up. It is only in certain music circles that the
Beach Boys are considered amazing anyway. When I tell people that my
favorite band is The Beach Boys, I always get a peculiar look. I always interpret it as people saying, “I
guess that’s super cool.” If I said my
favorite band was the Beatles, no one would bat an eye. Of course they
are amazing. It’s almost like people
know The Beach Boys are great, but can’t understand how they could be your
favorite band. Why would someone brag
about that?
Like I said, my
dad and I never talked about them back then. The
funny thing is though, is that we talk about them all the time now. It’s safe to say that we have spent
a large chunk of our relationship talking about Brian and The Beach Boys. It’s not like we’re done talking about them
either. It is not a rare occurrence for
me to go to my folk’s house and see sheet music to “Girls on the Beach” printed
out. We’ve talked about the double modulation at
the end of that song, at least once a year for the past 10 years. The Beach Boys are pretty much a building
block of our relationship, and “Today!” is one of the early albums we talked
about.
If you gave “Today!”
to someone who only had a passing fancy with The Beach Boys, it would be hard
for them to be disappointed. Every song
has a great hook and the production is second to none. Take a song like “When I Grow Up To Be a Man.” The chords are very strange, but not in a way
that is distracting. Brian was so good
at making complex stuff sound simple enough. Not simple, just simple enough. The harpsichord (which has a very nice prickly
quality to it) was an innovative choice of instrumentation. This is 1965 pre-psychedelic music, and I’m
sittin’ here trying to think of another song that featured it before this
album. Let me know if you can name
one.
“Dance, Dance,
Dance” is a roller coaster of a song: lots of excitement and surprises. It starts with a rippin’ bass line. Brian has the 12 string guitar double the
line, but only after the first half. This
detail really makes the beginning of the song shine. Then he does the same trick, only with
vocals. Mike sings lead, and it isn’t until
the second half of the line that the background vocals kick in. Brian’s falsetto sits right on top of the
song and flies over the chorus. There is
a funky 12 string solo that is glassy and buzzy at the same time. The most exciting part is the modulation
after the solo. Brian uses the same
trick in a third and different way. The
first half of the verse is in the original key, but modulates IN THE MIDDLE OF
THE VERSE! Brilliant and exciting. I love it every time I hear it.
The second side of
the album has been described as a precursor to “Pet Sounds,” and I think that
is accurate. It’s quite tender and introspective. “And please forgive my shaking, can’t you
tell my heart is breaking.” What a line
from “Please Let Me Wonder.” It’s
emotionally raw and Brian really puts his very sensitive heart out there. For those of you who ever had an “on again,
off again” relationship in high school or college, “Kiss Me, Baby” is the song
for you. I remember breaking up with my
high school girl and feeling like the world was truly over. It was crushing. I remember lying in bed at night and
wondering “were you still awake like me?”
I wish I’d had this song back them.
Dennis closes out the record with “In the Back of My Mind.” The manly heartthrob of the band sings, “So
happy at times that I break out in tears.
Back of my mind, I still have my fears.” It takes guts to write and sing
those lines, and both were done beautifully.
The last track on the records isn’t even that. It’s just the boys talking and fooling
around. I’m not sure why it’s even on
here. As far as I am concerned, the
album ends after “In the Back of My Mind.”
Tones: There is a nice bit of
guitar and organ interplay in the bridge of “Please Let Me Wonder.” The tape echo on the guitar draws out the
guitar note in a way that feels like the note is falling away from you. As I mentioned earlier, there is a lot of 12
string guitar, both acoustic and electric.
When I think 12 string, I think Roger McGuinn and the Byrds. The interesting thing is that it is used in
an entirely different way. It sounds
nothing like them.
Cover Note: Nice sweaters guys.
Price Paid: $5.00 for a nice
original copy. It was open, but still
had shrink wrap on it.
One more thing. Talk to your dad, or son for that matter, about The Beach Boys. There is a lot of stuff to talk about.
Another great write-up on what is also one of my favorite Beach Boys albums. The subject matter of "When I Grow Up to be a Man" (the future) was pretty rare for a song in those days when everything seemed to be focused on, well, cars, surfing, and "fun fun fun". The strangest thing on the album for me, though, is the very end of "The Back of my Mind" - the last song on the album - where the orchestra just seems to wander off - to where? Makes no sense, but taken in the entire Brian context, it makes PERFECT sense. Thanks for another great review.
ReplyDeleteI agree wholeheartedly with your assessment. This really was a huge step forward for Brian and the boys. "All Summer Long" was the record that preceeded this record, and you can see that Brian was really starting to think more about albums as a whole. As far as the ending on "Back of My Mind" goes, it is really one of those songs where it pays off to stick around until the ending. It's super weird. I love how Brian decided to fade out such an awesome part of the song. It really shows how many great ideas he was having at the time. Even on a low volume fade out, he still kills it. Thanks for your interest!
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